that the accordion is an European invention and has always been used in folk and popular music throughout its existence - the sound of the accordion is familiar to most Europeans and an accordionist was for a long time a normal ingredient in celebration of both private and public events among ordinary people.
|Gus Viseur (1915-1974)|
Photo tin public domain
accompanying Musette accordionists before becoming the star of stars on the European jazzscene. The 'cross-over' from Musette to swing-jazz seemed to be a natural development that resulted in a hybrid and specific European jazz-style - often referred to as 'swing musette' or 'Manouche'- thanks to the exchange of ideas and close co-work between Parisian accordionists and Manouche guitarists like Django Reinhardt. The swing musette movement lasted until the end of WW2 and the emergence of be bop at the new American jazzscene after the war.
Nevertheless, the swing musette style lived on among Gypsy jazz musicians, who absorbed the music and incorporated it in their repertoire, and even today this jazz-style is alive and considered a 'source Manouche', which also is the title of a CD presented here.
|CD-front: Marcel Loeffler - Source Manouche|
Le Chant du Monde,Harmonia Mundi, 274 1388
(Photo credit Edwige and Joël Souedet)
|Source Manouche ensemble (Photo copied from Marcel Loeffler's web-ablum, here)|
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